Producer Information
Want to produce a show in Fertile Ground?
Here's how it works:
Fertile Ground is proudly an unjuried festival of new and developing performance work. There is no submission/selection process – rather, artists with a new work or work-in-progress to present simply register their project for a small fee. In return, their project receives the visibility of being part of a large annual Festival, including a spot on the website, a listing in the Festival guide, free use of a ticketing platform, and broad marketing/producing support.
One of Fertile Ground’s unique features is that performances happen all over Portland and beyond (i.e. Beaverton, Milwaukie, Lake Oswego, Hillsboro, etc.). Fertile Ground oversees a few Partner Venues, but artists are able to perform in any venue they choose (although we strongly encourage artists to choose ADA accessible venues).
In addition to having the freedom to perform virtually anywhere, artists maintain a high level of autonomy in terms of presenting their show: you bring your own performers, creative team, and any sort of props, costumes, or set pieces you might want. You maintain complete control of the performances themselves – dates, times, ticket prices, how many comps you offer, how much you pay your collaborators, etc etc. It’s your show! (Note: shows participating in our Partner Venue Program have a few more restrictions, which you can learn about on our Venue Page)
Fertile Ground Criteria: What type of work is eligible?
The key elements of a Fertile Ground project are simple: new, local, performance. Shows in the Fertile Ground Festival are performance-based (traditional theatre, musicals, solo shows, dance, performance art, movement-based, clown, puppetry, and more!) and have a local writer/creative team. Sometimes they are fully-produced world premiers, but more often they are projects in development – readings, workshops, new drafts, a sharing of several songs from a new musical – works in progress that will benefit from a deadline and a public sharing to help the work advance.
Fertile Ground is committed to reducing barriers for independent artists and small companies to produce their work. We offer a limited number of volunteer opportunities in exchange for the cost of registration for folks who need it.
If you have more questions about what it means to be a Fertile Ground Producer, please read through the FAQs below and browse last season's Producer Handbook (the 2026 Handbook is coming soon…), or reach out to Festival Director Tamara Carroll with specific questions.
Producer FAQs
I have a project to share! What should I do? What will I need to provide?
Register your show right here on the Fertile Ground website starting November 10th! All you need is the registration fee ($135), a working title for your project (which can change), and a primary contact person!
What does "new" mean?
For us, new work is unpublished, and has not been previously presented in the same form. If a work has been presented before, a good way to gauge if it meets the criteria of “new” is to ask “If someone saw this the last time it was shared, would this iteration feel like they were seeing something different?” In truth, “new” is generally self-defined and unregulated. We hope people will be guided by the spirit of the Festival to either embrace a development opportunity, or unveil a new fully-formed piece. Use your best judgement, or connect with the Fertile Ground team for guidance.
Can I submit more than one project under a single Producer’s name?
Yes – Producers can submit to produce as many projects under the same producing name as they want. There is an additional charge of $25 per project listing (on the website and in the Festival Guide) with a $300 cap.
Example 1: The company Super Good New Plays Productions has 6 different individual readings to list in the guide, and needs to create 6 unique events on the ticketing website. That company would pay $135 for their base registration, plus $25 for each additional project they’re presenting for a total of $260.
Example 2: The company Really Great Brand New Productions has 10 different readings they would like listed in the guide, and needs to create 10 unique events on the ticketing website. That company would pay a total of $300
Can I use my own ticketing platform?
We strongly encourage all Producers to use the Fertile Ground ticketing system in order to create the smoothest possible experience for audiences, and to create the most value for the Festival Pass. However, if you have an established relationship with a ticketing platform, you can absolutely use that platform. We only ask that you help us maintain accurate attendance records by sharing your attendance data at the end of the Festival. We also encourage you to provide some sort of discount for patrons who have purchased the Unlimited Festival Pass.
If you apply and are selected for a Fertile Ground Partner Venue performance slot, we do require you to use the Fertile Ground ticketing platform. You still set your own ticket prices and create any ticket specials or discounts for your show – just using the Fertile Ground platform.
When do I need to have my venue secured?
We highly recommend having your venue secured by the end of January at the very latest. The actual last date you provide venue information so it will be accurate in the Festival Guide and on the website is February 13th. If January rolls around and you still haven’t secured a venue, please reach out to us for support and/or check out our List of Performance/Rehearsal Spaces.
Do I keep all of my ticket sales?
Yes – 100% of ticket sales go to producers. Some caveats/things to note:
- Audiences may purchase Festival passes that entitle them to free tickets to any show. Fertile Ground reimburses Producers for 50% the cost of tickets for each Pass-holder who attended the show.
- Both Ludus (the ticketing platform) and Fertile Ground add a ticketing fee to every ticket purchase (excluding reservations for free performances).
What does Fertile Ground provide that just self-producing independently doesn’t?
Fertile Ground primarily gives Producers access to broader marketing and a larger audience than is accessible to self-producers with a limited marketing budget. Our marketing strategy includes:
- Digital and printed ads in major local publications like Oregon Live, Willamette Week, The Mercury, and the Oregonian.
- Radio and television presence on OPB and KGW morning shows
- Social media posts for every individual project, as well as a broad social media campaign for the overall Festival.
- A physical postcard mailing
- Digital newsletters to an enthusiastic Fertile Ground audience
- Inclusion in a magazine-style Festival Guide including descriptions, dates, and times for every project.
- A Producer Showcase event to pitch your show to members of the media and the public at large
- Festival presence and promotion in the lobby of local theatres leading up to the Festival
Plus
- Free use of the Festival ticketing system
- Free workshops in self-producing and individual marketing
- The opportunity to apply for one of our Fertile Ground Partner Venues
- A unique page on the Festival website
- Access to audit the PATA citywide auditions
What is expected of me, the Producer?
Producers should regard participation in Fertile Ground as though they are independently producing a show, just with additional marketing support. A few key points to note:
- Producers are responsible for all costs associated with producing their show, including paying all artistic personnel, and for the rental of both rehearsal and performance space.
- Producers are required to provide Fertile Ground with information and assets to promote their show, including promotional images and copy for use on the Festival website, in the Festival Guide, and on social media. Producers also set up their own ticketing page(s), with support from Fertile Ground as needed.
- Producers are expected to market their project! We let folks know about the Festival, but *you* let them know about your show. Shows that rely solely on the general Festival marketing to bring in audiences tend to be disappointed by their attendance. We offer a free Marketing Workshop in early January to provide you with plenty of guidance and resources. The rest is up to you!
How does the Festival Pass affect my ticket sales??
Festival Passes come in 3 options: 5-Punch Pass, 10-Punch Pass, and Unlimited Pass. Each Pass allows the Pass-holder to secure a single free ticket to any performance sold through the Fertile Ground ticketing platform.
Fertile Ground reimburses Producers 50% ofthe ticket price for every Pass-holder who reserves a free ticket AND attends. Fertile Ground will NOT reimburse unclaimed Pass-holder tickets – we can only reimburse for Pass-holders who were officially checked in using the Ludus system.
What happens if I realize I need to drop out of the Festival?
Life happens – we get it. If you withdraw from the Festival before January 19th (the final date of late registration) we’ll provide a full refund. If you withdraw between January 20th and February 13th, we will refund half of your registration fee. After February, we will not be able to offer a refund, as the Festival registration fee exists to cover the administrative costs of supporting each project, and removing a project from the lineup at a later date requires additional administrative time. It’s not a punishment – it’s just what we have to do to make sure our team gets paid for their work.
Have a question you didn’t see here?
Reach out to Fertile Ground Festival Director Tamara Carroll at fertileground@portlandtheatre.com
Looking for the lastest information?
The 2026 Producer Handbook will be available by the end of November 2025.
Need help finding a venue for your Fertile Ground project? We've compiled a list of Portland-area companies & venues here; you can also check out PATA's Member Directory to search for rehearsal and performance space.
Accessing Website and Venues
Please email Tamara Carroll at fertileground@portlandtheatre.com to get help navigating our website or ticketing system, if you have questions about the accessibility of performances and venues, or any other questions, concerns, or feedback.
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Contact
fertileground@portlandtheatre.com